Faces and names
I wish they were the same
Faces and names
Only cause trouble for me
[Lou Reed & John Cale]
I am woken up by a bang. The young people who meet up outside the
late-night shop next door still have some firecrackers left over from New
Year’s Eve. They chuck them on to the street and take pleasure when
people are startled. I look at the display on my mobile. In two hours it’ll
be dark.
At the precise moment I step out of my room there’s a man sneaking
across the hall. He pretends not to have seen me but he can’t get the
apartment door open. I say “hello”, and, embarrassed, he says “hello”
back. I unlatch the door and watch him leave. I hear the house door shut
behind him. I go into the kitchen, turn on the radio and start doing the
washing up.
At some point Hanna comes into the kitchen and fries herself an egg.
She looks in a bad mood, as if she hadn’t slept very well, but she always
looks that way. “Was that guy yours?” I ask. “Which guy?” asks Hanna.
“The one in the hall.” “No, she says, “that must have been Peter.” “Peter?”
I ask. “Or Martin,” she says, “a name like that. Anyway I’ve lost track with
all these men.” “Me too,” I say, and laugh. “We should charge everybody
who sleeps here five euros,” says Hanna. “That way we could pay the gas
bill for the whole year.” She sits down next to me and starts to eat her egg.
I drink some coffee and smoke and say: “Would you mind not eating while
I’m smoking? That’s really asking a bit much.” I don’t know how old this
joke is, but I think it pre-dates my moving in. It still makes us laugh, but we
don’t actually roar with laughter any more; we laugh quietly and in a spirit
of complicity. Just as Hanna finishes eating, Tim comes into the kitchen.
“Morning,” he says, and flops down on a chair. “Do you want a bread-roll?”
I ask. “I’d love one,” says Tim. While he’s eating, I can’t help staring at the
poem Tim has hung up on the wall under the photos of Björk and Jean
Reno. It’s not one of Rilke’s best. It starts like this: I greatly fear the word
of men/They express everything so clearly/And this is a dog and that is a
house/And here’s the beginning and there’s the end.
Hanna rolls herself a cigarette. Tim bites into his bread-roll.
That evening Amir finally calls. “What are you doing?” he asks. “Nothing
important,” I say. “Are you coming round?” he asks. I throw on a jacket,
shout, “See you later”, and pull the door to. I walk along Sonnenallee with
my head down and my hands clenched to fists in my pockets. The snow
has almost melted, only a few dirty heaps are still left. I press the bell
and walk up the stairs. The door is ajar. I cross the hall and go into Amir’s
room. He kisses me on the mouth. “So,” he says and helps me take off
my jacket, “do you want tea and a chocolate heart?” “Yes,” I say. Amir
goes into the kitchen. I sit down on the bed and try out various positions.
In the end I lie on my side, stretching out my legs and resting my head.
As Amir comes in, I smile. He puts the tea and the chocolate heart in my
hand and watches me drink. “Want to see something funny?” he asks.
I nod. He grabs his laptop from his desk and sits down next to me on
the bed. He opens a website showing a dancing figure from a cartoon.
In place of the drawn head Amir has put a photo of his own head. “Suits
you,” I say. “What, the dance?” asks Amir. “Yes, and the whole idea of
doing something like that, going on to a website and putting in your photo
and that.” Amir looks annoyed for a moment, then he says: “Will you help
me put up the bookcase?” “Sure,” I say. We sit down on the floor and
he presses the instructions into my hand. We assemble the bookcase
together and then he puts his books in it which previously he had kept
in piles in a corner of the room. Amir stands before it, turns round and
smiles. “Great,” he says. We lie down again on the bed and watch a film.
Amir puts his head on my shoulder and strokes my hand. When the film
has finished and I’m almost asleep, he starts playing me a song on his
guitar. The refrain goes: You belong to me, you belong to me, you always
belonged to me. When he puts the guitar to one side, I undress down to
my knickers. Amir lies down naked on my back. This wakes me up again.
Amir moves his hand on to my left breast and presses down lightly. I
turn my head around and kiss him. The condoms are right there next to
the bed. Amir rubs my clitoris while we sleep with each other. He knows
any number of possible positions which I didn’t know before him. It’s like
dancing the tango; I just let myself be led. We come almost at the same
time, and Amir keeps stroking my hand for a long time, until I fall asleep.
In the morning, for a short time I don’t know where I am. Amir held me all
through the night; he’s still holding me even now. When he realises I’m
awake, he says, “Do we want to conjure up a glass of water?” “Yes,” I say.
“OK, you say the magic word first, then I will.” My magic word sounds like
Finnish, Ärekättönen. His is Lalula. He bends down over the edge of the
bed and lifts up a glass of water. We swig it down. Amir jumps around
naked on the window sill, proud and supple like a panther. He draws back
the curtains, and the sun makes his silhouette shine. “I’ve got to go,” I say.
I do some sport exercises and watch VIVA Get the clip. Amir has already
been online for two hours when he finally starts chatting with me. He
writes: “I’m worried that I was too nice to you, you know what I mean.”
I place my fingers on the keyboard, but don’t answer. They play a song
by Diddy Dirty Money. Wasn’t his name P. Diddy only a short time ago?
At the bottom of the screen there’s a love barometer programme running.
You send in your name and your partner’s name as a text message and
are given a percentage and a forecast. Right now it says: “Anna and Falk,
10%. Falk doesn’t love you, Anna. He wouldn’t have you even if you were
the last woman on earth.” It often happens that the programme doesn’t
recognise which are men’s names and which are women’s. Then you get:
“Tobi will say yes, Jule. Go on, ask her.” I move my finger. “Oh, it’s OK,”
I key in. Amir sends me back a pattern made up of graphic emoticons.
I remember when we stood together at the bus stop and this perfect snow
flake landed next to me. Amir asked me whether I wanted come to his
place, and I said “yes”. We were waiting for the bus, and suddenly Amir
took my hand and said: “I’m not the type of man you’d want to marry.”
I laughed. “Do I look like the kind of person who wants to marry the next
person to come along?” I asked back, and Amir shook his head. As
we got on the bus, I asked, “Are you a womaniser?” Amir thought for a
moment, then nodded. Later, in his bed, I told him that recently I had been
meeting a lot of men who hadn’t cried for years and who were incapable
of any kind of elevated feelings. It was as if they had no emotional highs
or lows, just middles. “I think I am one of them,” said Amir. That same
night he also said that for him there was only love at first sight, and if
nothing happened in that first moment, then it never would. He never slept
with any woman more than a couple of times, for when the excitement of
the new had passed and he had no feelings, all closeness only felt like
he was taking his heart for a ride. That was three weeks ago. So why
are you still sleeping with me? I want to ask. But I hold my finger in midair,
and ten minutes later Amir is offline. I make myself some tea in the
kitchen and knock on Tim’s door. “Yes?” calls Tim. “Can I come in?” I ask.
Tim turns round on his desk chair. “Shall we watch The little mermaid?”
I ask. “Good idea,” says Tim. “I can’t work at the moment anyway.” We
sit close to each other on Tim’s couch and eat sweets out of already
opened packets. We sing along loudly with the song that Ariel sings in
her treasure chamber: Look at this stuff Isn’t it neat? / Wouldn’t you think
my collection’s complete? We know each sigh by heart and murmur the
last line softly and with our voices breaking: Out of the sea / Wish I could
be / part of that world. At the end of the film I cry, as I do every time, and
Tim too is teary-eyed. I am almost at the door when Tim asks: “How’re
you doing anyway?” I turn round. “Hmm, not that good,” I say. “How about
you?” “Me neither,” says Tim. “Do you want to meet up later in the kitchen
for a cigarette? A few friends of mine should be coming round, and
Jessica will be there too.” “Love to,” I say. “See you then.”
As we wait for the guests and for the lasagne to be ready Tim and I dance
to Paul Kalkbrenner in the kitchen. “Where’s Hanna got to?” I ask.
“I haven’t seen her all day.” Tim shrugs his shoulders. “Recently she’s been
staying in her room for days at a time. I keep on asking her whether she
wants to come along when I go someplace, but she never does. She only
ever meets the same people. I’m beginning to get really worried about her.”
The first to arrive is an American Tim used to know some time ago. He
holds out his hand. “Claus,” he says, “like Santa Claus.” Then, one after
the other, two more friends of Tim’s arrive; one is Greek. The doorbell
rings again. Tim swans to the door and picks up the interphone handset.
“Jessica?” Antje’s steps come closer. I hear her greeting Tim in the hall.
“Jessica!” Then she comes into the kitchen. “Jessica,” she calls, “you’re
here too!” We embrace, and as the others look at us in a strange way, Tim
laughs and says: “When Antje comes to see us, we’re all called Jessica.”
I start cutting up the lasagne and Tim hands out the plates. Then Hanna
comes in and joins us, a morose look on her face.
Later we drink some crème de menthe and turn the music up. Our
sentences get shorter; almost everything we say is a joke. We drink to
life, to this kitchen and to the fact that I’ve moved in, and Tim re-tells the
story of how Hanna and he sent the names of the three candidates on the
shortlist to all their friends on Facebook, asking them: “Who should we
have as our new flatmate?” Almost everybody was for Adina, but in the
end the two of them decided to go for me instead. “To you,” says Hanna.
“To us,” I say. I keep the crème de menthe in my mouth for a long time,
until the peppermint taste has spread everywhere, and only then do I
swallow it.
I have a chat with the Greek guy. He tells me about Athens, where
policemen stand on street corners with machine-guns, about the food
his mother cooks for him when he goes home. He has just come back
after spending a few days there, and on his return he realised that Berlin
was not a city to grow old in. I nod. “It’s a good place between the ages
of twenty and forty,” I say. “This city is like a one-night stand,” he says.
“Like a love affair,” I say. “Like a love affair,” he says, “you are so right.”
Later we meet in the corridor, as I’m coming out of the bathroom and
he’s going in. He says: “I like you”, and then starts kissing me. I’m not the
slightest bit interested but I don’t want to make an issue out of it, so I let it
happen. Before he goes, he asks me my name so that he can find me on
Facebook. “Sorry,” he says, “I am bad with names.” I write him my name
on a piece of paper and he smiles as he holds out his hand.
Finally only Hanna, Tim and me are left. Since all the bottles are empty,
we put some sad music on and sing along softly to the odd word. Outside
the night has reached its deepest black.
I wake up when Hanna knocks at my door. “Yeah?” I ask. “I’ve made
some fish,” she says. “You’ve got to eat something.” “What time is it?”
I ask. “A little after three,” says Hanna. “OK, I say, I’ll get up now.” She’s
put the plate outside my door. I sit down on my desk chair and eat. Later
I observe Amir going online. Tim starts chatting with me from the room
next door: “Can I roll one of your cigarettes?” “Sure,” I write, “come on
over.” He knocks gently on the door and steps in, and I watch him roll a
cigarette in his practised way. “Do you feel like going out with me today?”
he asks. “I’ve got to find someone tonight, at least for a bit of a snog. I feel
so lonely at the moment, maybe it’s the winter. I’m really not very good at
being alone.” “What about Peter?” I ask. “You mean Martin?” says Tim.
“Oh, there’s nothing’s really going on.”
My phone rings. Amir asks brightly if we’re going to meet. “Yes,” I say, “but
this evening I’ve got something on.” “Then come round now,” he says.
I stand up and say: “I must be off again.” “Amir?” asks Tim. I nod.
The world outside the main door is as hostile as ever. I take everything
personally, even the sleet falling down the back of my neck. About
halfway there the face of the Greek guy who kissed me yesterday comes
to my mind and something Hanna said: “You’re too, how do you say,
obliging.” “No, I’m not,” I said, “I’m too understanding.” “And you’re not
very good at watching out for yourself,” Hanna retorted. “Hmm,” I said,
“I’m just not cool enough.”
Amir opens the door with a smile and helps me out of my jacket.
“Do you fancy having a beer with my flatmates?” he asks. We join them
in the kitchen. They look me over, I crack a few witty jokes, and after
five minutes they’re raising their glasses to me and patting me on the
shoulder. Amir gets up abruptly and says: “Come on, let’s go to my room.”
I take a book out of the bookcase and lie down on the bed. Amir sits down
next to me and folds up something made of aluminium foil. It becomes
a ring; he puts it on my finger and laughs. “I’ve been thinking,” he says.
“I don’t think I am that incapable of committing myself to a relationship.”
“But that would mean that’s not the reason you have no feelings for me.
It would mean I’m simply the wrong person.” “That’s right,” says Amir,
and puts his guitar on his lap. He plays the same song he played the
day before yesterday: You belong to me, you belong to me, you always
belonged to me. I imagine him having a folder on his computer with love
songs for certain moments, in the same way as he has a pair of women’s
pyjamas next to the bed, just in case. Amir leans against me and shoves
his leg between mine. We lie there like that for an hour. Then I say: “I’m
off now.” I avoid his look, a look that seems to be so clear, and accept his
kiss with my eyes closed.
I’m standing in the late-night shop when I get a text message: “I had a
really nice time with you. See you, Amir.” I stick my mobile back in my
pocket and feel strangely relieved. I stop in front of a pet shop and light
a cigarette. A tortoise in the window cranes its neck and stares at me
without moving. Neither of us takes our eyes off the other. I go into the
shop and buy the tortoise complete with a terrarium and carry both home.
As I turn the key in the lock, I hear Hanna and Tim talking in the kitchen.
Tim is saying: “But she’s making herself unhappy,” and Hanna says:
“Let her do what she wants, none of us is that happy.” I close the door
noisily, and Hanna and Tim fall silent. “Hello,” I shout. “Hello,” they shout
back. I join them in the kitchen and put the terrarium with the tortoise on
the table. Tim leans forward and taps on the glass. “Oh, isn’t it sweet.”
Hanna smiles. “Is it for us?” I nod. “It hasn’t got a name yet.” “Is it a he or
a she?” Tim asks. “I don’t know,” I say. Tim lifts it out carefully and turns
it on its back. “It’s a she,” he says. “What about Heidi?” asks Hanna.
“No,” I say, “that always makes me think of the TV series.” “Emma?” asks
Tim. “That’s my gran’s name,” says Hanna. “Jenny?” I ask. “Sounds like
a bimbo,” says Hanna. “Why don’t we just call her Mrs Tortoise?” “Mrs
Tortoise,” I say, “I like that.” “So do I,” says Tim. We clink glasses. “I was
thinking I wouldn’t go out tonight after all,” says Tim. “We could watch a
film,” I say. “Yes,” says Hanna, “I’ll join you.”
We sit on Tim’s couch and watch The Lion King. Our knees touch. We
pass the wine bottle between us. Next to us on the floor Mrs Tortoise
crawls slowly around a piece of paper. The TV image has a slight bluish
tinge. We sing along: On the path unwinding / In the Circle, the Circle
of Life. When the film is over, I see that Tim is crying too. Hanna has
fallen asleep, her head is lying on my shoulder. Tim and I smoke another
cigarette. “I’ve decided to take a break,” says Tim softly. “I’ve got to take
time out for myself, I think. I’ve deleted all the contacts on my mobile
where the name doesn’t mean anything to me.” It’s quiet. The television
screen glows blue into the room. “Hanna told me today that she’s been
in love with her best friend’s boyfriend for five years. Incredible, isn’t it?”
“Yes, incredible,” I say.
We stub our cigarettes out. “Amir and me are history,” I say. “Are you OK?”
asks Tim and puts his warm hand on mine. “Yes,” I say. “Good,” says Tim.
“Come on, let’s carry Hanna to bed.”